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Pádraig
Grant, founder of Orphan Relief Interview by Eoin Colfer January 18th 2009 |
| I
have known Pádraig Grant for most of his life. I say his life because
if I didn’t then I have no doubt that Mr. Grant would write a scathing
note to Mr. Mooney pointing out that I am several months if not years
older than him. We have many things in common; both of us are fine handsome
Wexford men, we both spent most of the eighties hanging around the Arts
Centre and we were both dressed by his Mammy at one stage or another.
Myself and Pádraig were passing acquaintances in the CBS. We could not really communicate as Pádraig was a townie and I was from Clonard which was considered the culchie boonies at the time. By the time I had kicked the cowpats from my wellingtons of a morning, Master Grant and the other townies would already be ensconced in the most comfortable school desks, sipping from little cartons of the best vintage Snowcream and having their temples massaged by a student teacher. So our paths diverged. I went off to Carysfort College to pursue my ambition to become a primary teacher and Pádraig forged a career as a wonderful photographer whose popularity surpassed even that of Abba or Mike Murphy. It has been said that by nineteen ninety one in two Wexford families had an illegally copied photo of Pádraig’s hanging over the fireplace (I paid for mine, honest). It was until about five years ago that I actually sat down with Mister Grant and had a meaningful conversation. This did not happen in the Tom Moore as might be reasonably expected, but rather in the depths of Mordor, or as non movie geeks call it: New Zealand, where Pádraig was now living and where I was on tour with the latest Artemis Fowl book. So we met in a bar, surprise surprise for two Yellowbellies and much as I tried to steer the conversation back to myself, Pádraig insisted on talking about what he insisted were more important issues. I slowly realised that Pádraig Grant is one of those mythical creatures who actually cares more about others than he does about himself. I’d read about these people in National Geographic but never actually met one before. I had heard that Pádraig went into countries devastated by war and famine, and shot photographs for aid agencies, but what I hadn’t heard was that Pádraig had founded one of these agencies himself: IceAid which later became Orphan Relief chose small projects in Liberia and made a significant difference in the quality of life for the people there. This pub chat led to several more chats back in Ireland and a relationship that has seen IceAid change its name to Orphan Relief and recruit several willing and able volunteers in Wexford. While most of us live in fear of a recession, Pádraig Grant continues to devote his life to the welfare of others. Anyone who knows Pádraig is aware of how private he is and of how little he enjoys tootling his own trumpet, so it was with great difficulty I managed to drag the answers to the following questions from him over a series of coffee mornings and e-mails: Was
there a specific moment when you knew that you had to make aid work your
career? I am becoming more closely associated with aid work now because I chose to point my camera at some of the abominations of our time. I have been and always will be a subscriber to that brand of photographer that is a passionate participant rather than an objective observer. I am addicted to seeing new things because I am a photographer and vice versa. I have been to Somalia and watched 300, mostly kids, die from starvation every day in Baidoa, a small central town and endured the civil war that caused it courtesy of my five militia body guards. What could I do? I helped out any way that I could. I became the guy that would go and get stuff for the nurses, I took a road train of aid from Mogadishu to Baidoa at one point. I have been arrested, briefly, as a British spy in Khartoum (“I’m not fucking British”, I indignantly told my accusers!) and wandered through the magnificent ancient birthplace of humanity that is Ethiopia. These experiences have left some scars and provided much more by way of inspiration and understanding. I am still a photographer, I am still an aid worker. I guess I just followed my heart. |
![]() Eoin Colfer is the acclaimed author of the Artemis Fowl series of books and is Orphan Relief's Patron ![]() Padraig Grant is a photographer and founder of Orphan Relief |
Do
you ever get disheartened by the sheer volume of help that is needed?
The big one obviously was in 1994, on the Congo border with Rwanda and 1 million people had set up refugee camps having fled from the genocide over the border. I was standing in an open field and as far as the eye could see there were decaying, swollen, bloody corpses littering the landscape. We’d spent two weeks clearing the roads and ditches of rotting bodies and transporting them to the burial site where the French military bulldozed them into vast pits; each layer of bodies covered with lime to aid decomposition. Two weeks into my time and I was mentally, emotionally and physically wrecked, crushed, by the weight of it all. There were no positive lessons to be taken from that situation. Just pointless, fatalistic ones. So in the spirit of Beckett I said to myself “I can’t go on……I’ll go on”. The alternative doesn’t bring any joy. Do
you have any heroes in the business? There is one misconception that I keep hearing and this is the notion that we can simply send things in a container to the poor people that need it and that‘ll sort the problem out. In development situations this doesn’t work because it undermines the local economy, it is expensive to ship and the vast majority of items shipped are found in country. (However, it is sometimes the only way to provide relief in emergency situations ). Orphan Relief believes, absolutely, that we must source materials and personnel locally. In this way we help the local economy in the best way possible. On our next project in Liberia we will have with us the expertise of professional carpenters, electricians and architects but we will be providing employment on the work for about 40 local brick makers, carpenters, mechanics etc. The two guys from Wexford are Steve Wilson, a carpenter, and John Hayes, an electrician, will be coming out to Liberia to carry out urgent structural work at the Alfred and Agnes Memorial Orphanage in Monrovia. You
are a calm person generally, but there must be some things that annoy
you? Who
is your favourite children’s author ? What
does your family think of you spending time away from them to help others? Why
did you choose orphans specifically? Do
you think Wexford in particular is a generous town? And so Pádraig
rides off into the sunset with a twinkle in his eye and a six pack of
stout under his arm. But seriously, there are hard times coming to Ireland,
but if they are hard for us they are unimaginably harder for those already
suffering terribly in the aftermath of famine and war. And while it would
be easy to turn our back on the children of Liberia, preferring to look
inwards for as long as this recession lasts, there are some local people,
like Eleanor McEvoy, Michael Londra and Pádraig Grant who are prepared
to go where others would not and see that what needs to be done, gets
done. |
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Press Release: January 2009: Food supply under threat from plague of caterpillars |